Olympia Makes a Prayer for the Art World (Records from the Story of My Life Series), 1993.
Lok Gallery, Meat market district, NYC. The Colette Mannequin sculpture begins to replace the artist’s live presence in many of her artworks and installations. This process continues throughout her Maison Lumière phase.
A prominent figure in the downtown New York scene since the 1970s, Colette’s multimedia work has influenced major artists and musicians, including Cindy Sherman and Madonna. Colette began working on the streets of SoHo, creating constructed photographic works that functioned as pastiches of painting genres, and lavish installations of bunched fabrics, pushing Victorian or Rococo interiors to postmodern extremes. In all of her work, Colette worked under the guise of performative personas that explore issues of the body, gender, and representation. Wearing extravagant costumes, she performed, live, and slept in her installations; she even once staged her own death at the downtown Whitney Museum. “I thought of myself as ‘post conceptual’ because I persisted and believed strongly in the power of symbols,” she said. “My work was putting less emphasis on the intellect alone. I sought unity of body, mind, and soul, in my life and art”. – https://colettetheartist.mystrikingly.com/